For big moments like last week’s premiere of You, Me & Tuscany opposite Halle Bailey and Regé-Jean Page, Lorenzo de Moor keeps his approach intentional and understated. While the actor may be part of a love triangle in the film, in real life, he gravitates toward the low-key—meditation, cat naps and movement—especially on a big press day.
Still in a phase of discovery when it comes to products, de Moor recently chatted with us about how much he enjoys the process of working with different artists and being introduced to new textures and techniques—an evolution he finds genuinely inspiring as he moves between high-profile sets, including the upcoming Cliffhanger with Pierce Brosnan and Lily James, and Maserati: The Brothers alongside Anthony Hopkins and Jessica Alba.
What is your normal skin and hair prep before a big event?
“My hair has a mind of its own —it’s naturally curly, so I lean into that unpredictability. I focus on balance: enough hydration to keep the curl alive without being weighed down. Most of the time, I let it air-dry and settle into itself, with only the lightest touch to preserve its shape.”
Are there any products you really like your groomer to use?
“I wouldn’t say I’m tied to specific products yet. I’m still in a phase of discovery—working with different artists, moving between sets and press, constantly being introduced to new textures and techniques. It’s an evolving process, which I find inspiring.”
Is there anything you do for self-care prior to a big premiere or appearance?
“Sleep is always the intention, though not always the reality. When things get busy, I rely on small rituals—a short nap when I can, even just 30 minutes—makes a difference. I meditate, and I like to set the tone for the day by speaking it into existence—framing it as something joyful and shared. If time allows, I’ll move my body as well. It helps quiet everything and bring me back to a more grounded place.”
Do you have any BTS skin- or hair-care moments from the film that helped you get into character?
“There’s a moment just before filming where everything begins to align—hair, makeup, wardrobe—and the character starts to emerge. It becomes a dialogue between myself, the director and the creative teams. There’s something incredibly fluid and playful in that exchange. For me, that sense of play is essential—it’s where the character really begins to live.”
What have you enjoyed most about doing press for the film this past week?
“It’s the sense of return—seeing the people you created something meaningful with and stepping into a new phase of that journey together. We were very fortunate on this project to build something that felt like a family, so these moments now feel intimate, almost like coming home.”
