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Rosie O’Donnell on Getting a Facelift—and Why She Has No Regrets

A candid essay on aging, feminism and changing your mind.

Rosie O’Donnell, who recently revealed she had a deep-plane facelift, poses in front of the Sydney Opera House.
Getty Images / Brendon Thorne

For most of her adult life, Rosie O’Donnell had strong feelings about facelifts. Not casually strong, but “morally strong,” as she describes it in her latest Substack, “Decisions.” In a revealing and personal essay, the former talk-show host shares that she had quietly appointed herself a sort of guardian of the cause, one of those women who would “never, ever” go there, because doing so felt like a betrayal of feminism, of aging and, as she writes, of “our team of women worldwide.”

Then she lost 50 pounds, and everything shifted.

What she saw in the mirror wasn’t exactly wrinkles, but gravity. “I’d look in the mirror and think, this isn’t aging, this is melting with intention.” The affirmations she tried to offer herself started to ring hollow. Her follow-up thought: “Umm, how earned does it have to look?” At some point, she realized, “there’s a point where acceptance starts to feel like lying.”

So, O’Donnell writes, she started “just gathering information,” which, as she puts it, is “what women say when they are absolutely considering something they swore they’d never do.”

Then, her 13-year-old child, Clay, found out. The response was immediate: “You earned your wrinkles.” O’Donnell’s reaction was swift: “First of all, rude. But also…correct.” Clay pushed further, telling her that young women look up to her, and delivered the line that landed: “I wouldn’t be able to respect you if you did it.”

O’Donnell notes dryly that it was “a big statement from someone who still needs you to open jars.” But more than that, Clay “sounded exactly like me. Like my younger, more certain, more morally rigid self had somehow moved into my house and was now judging my face.”

She delayed for months. She sat with it. And then came a quiet realization: If she was teaching Clay anything worth knowing, it couldn’t be that her body belonged to an idea. “Even a good idea,” she writes. “Even feminism. Because that’s still not freedom—that’s just a different authority telling you what you’re allowed to do with your own face.” She wanted Clay to grow up knowing they didn’t have to change, but also that they could, “without losing moral standing in their own life.”

In January, O’Donnell says she “did it.” She found a surgeon whose work she’d seen on friends, what she describes as “women who still looked like themselves afterward, just like they had recently been told good news.” Right before going under, she grabbed the doctor’s hand and said, “I will never say, ‘God, I wish you did more.’” She meant it completely. She didn’t want to become “the one that keeps moving the goalpost, never satisfied, the one that turns their own face into a problem one can never quite solve.”

And she does still look like herself, she says, just “a slightly more well-rested, emotionally stable version.” The result was what she calls a “lower deep-plane facelift” that, by her estimation, “minds its own business” and “cost more money than she has ever paid for a car.”

Here’s the thing, though—no one has commented on the surgery, she says. Not a friend, not a stranger, “not even people who owe me compliments.” Her daughter hasn’t said a word. After a full existential feminist crisis and surgical intervention, the result was “zippo,” which, O’Donnell considers the best possible outcome as she enters her “Act 3.”

“I just stopped arguing with the mirror,” the 64-year-old shared. “And maybe that’s enough.”

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